Powder brows and lip blush by Zara on real clients with different skin types in Berlin-Spandau, photographed before, right after and, where available, healed.
No AI-generated treatment results. No digitally perfected brows or lips.
Every result in this portfolio shows a real client I treated and photographed in my studio. I never generate or digitally change the treated area to make the result look better.
Photos may be cropped, aligned or adjusted for a consistent look. Filters are never applied to the treated area: brows, lips and lash lines are never reshaped, recoloured or enhanced, and their skin texture, redness and swelling stay visible.
“Fresh” means photographed right after the treatment, when pigment usually looks stronger. “Healed” is reserved for results photographed at least four weeks later.
Powder brows are a soft, powdered shading. The works show different skin and different shades of brown.
Sparse at the front and different on each side: that was where the brows started. I filled both to the same density in a dark brown that sits close to her hair, and drew the tails out to a fine point.
Her brows had lost most of their outer half, and what was left was light and grey. I rebuilt that half in a cool dark brown. Seven weeks later the grey hairs still showed through the shading.
There was almost nothing to work from: a thin line of fine, light hairs. I drew the brows again in light brown, the same on both sides, with the skin around them still red. Healed, the colour lay evenly from front to tail, with soft edges.
Thin and sparse along the arch: her own brows gave me little to follow. I drew a full, defined shape in dark brown, and the skin around it was red. Six weeks later the colour had softened to a warm brown and the shape had stayed.
Her brows already had a faint arch, so I worked from it. I shaded both to a fuller shape in a medium brown and drew the arch more clearly, and the skin at the front was red.
Her own brows were fine and sparse, with gaps at the front. I shaded a fuller, even shape in cool brown on both sides. Healed, the colour settled softer and evenly, and she came back to me for her lips too.
Very little colour was left in her brows. I drew a clear shape in medium brown and shaded it evenly from front to tail, with pink skin above it. Five weeks later the colour had faded to a soft light brown and the shape was still clear.
Both brows got a soft arch in a warm brown. I shaded them evenly from front to tail and kept the upper edge clean.
Only a few hairs were left along the arch, and they had turned grey. I shaded both brows in a cool brown, closed the gaps and gave the arch a clear line. Six weeks later the colour was still cool and the shape had stayed.
With few hairs and no defined edge, the shape had little to hold on to. I shaded both brows to a fuller form in a soft brown and drew the tails out to the same length.
I started from a few hairs along the arch and built both brows into a full shape in a warm red-brown, with the skin around them still red. Healed, the colour settled into a light beige-brown, and the front faded gently into the skin.
Short, light and uneven: that was the shape I started from. I shaded both brows in a warm medium brown with a straight lower edge and a rounded arch. Later the colour had softened to a light warm brown, and the shape had stayed.
Along the arch and the tail, only a few hairs remained. I shaded both brows into a dense, dark shape with a defined top edge and a long tail.
Her brows were a faint line of hairs along the top edge. I filled them out in a warm copper brown, with a soft arch and a pointed tail.
A few days after her lips, she trusted me with her brows as well. Her own brows were dark and full, but uneven, with no clean lower edge. I shaded a defined shape in cool dark brown, the same on both sides.
Lip blush gives the lips colour and a clear contour. These photos were taken right after the treatment, when the colour looks strongest.
I took the red all the way to the edge of both lips and drew a clear contour with a symmetrical cupid's bow. Later the colour had settled into a soft pink, even and without light spots.
After her brows, she trusted me with her lips as well. They were pale, with an uneven colour. I pigmented them in a strong red that reached into the corners; healed, it softened to an even rosy pink with a clear line.
I filled both lips with brick red, evenly up to the edge. The contour stayed clear from the corner of the mouth to the cupid's bow.
I worked in a dark berry red on both lips and gave the upper lip a clear contour. The lips were slightly swollen.
A rosy brick red covered both lips evenly up to the edge. I drew the contour clearly and gave the cupid's bow a defined shape.
On pale pink lips with a soft contour, I pigmented a strong red and sharpened the outline. Later the colour had softened to a rosy red, and the shape had stayed.
Hard to see where the lips ended: the colour was pale and the contour faint. I pigmented both in a raspberry red and drew the contour clearly, and the skin around them was red. Later the colour had settled into a soft mauve pink.
The outline was faint and the pink pale. I pigmented both lips in a dark plum and gave the contour a clear definition.
I turned pale pink lips with a soft outline into a dark cherry red with a clear contour and a defined cupid's bow. Later the colour was even up to the edge.
Her lips were pale, and their line faded into the skin. I pigmented them in a bright red inside a clear contour, carried into the corners. A few days later she came back to me for her brows.
Permanent eyeliner is fine pigment between the lashes or a classic liner. Right after the treatment the colour looks darker than after healing.
I pigmented a thin line of dark brown along the upper lash line of both eyes, reaching a little past the outer corners. The line followed the lashes closely.
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